Searching The Simpsons

Was alerted earlier today to this new website called Frinkiac which purports to have three million searchable screen captures from The Simpsons. Just enter a word or phrase and if there are any matches it quickly delivers the images and lines for you, complete with season/episode info and timestamps.

Indeed, it will likely find a match no matter what word or phrase you enter. After all, the show has been around for more than a quarter-century now, with nearly 600 episodes.

Entering the word “poker” brings back more than 50 moments from the show, although there are a number of duplicates in there. In truth, I think it amounts to about eight or so actual poker references total.

Here are three good ones, turned into “memes” with the click of a button:

Of all of the ones that come back, the only one I really remember is of Homer freaking out over one of Cassius M. Coolidge’s “Dogs Playing Poker” paintings, which came up during one of the first “Treehouse of Horror” Halloween eps.

The scene with the painting was just one of those little interstitials between the episodes in the anthology show, in this case framed by Homer wandering through an art gallery. “We come now to the final and most terrifying painting of the evening,” Homer explains before delivering the above lines.

He goes on to say “We had a story to go with this painting, but it was far too intense.” Now that I think about it, there is something unnerving about dogs playing poker.

Anyhow, if you’re a Simpsons fan you might go crank up the Frinkiac and see what your searches turn up.

Images: Frinkiac.

“Big Dawgs Playing Poker”

Spent a little time today in my “Poker in American Film and Culture” class discussing that “Dogs Playing Poker” series of paintings by Cassius Marcellus Coolidge. I can see this becoming a favorite part of the syllabus for me, with the students’ responses to my invitation to analyze the paintings often including some interesting observations.

Back in 1903, Coolidge executed a group of 16 different paintings of dogs, nine of which showed them playing poker. The paintings are significant in poker’s history not just because of their eventual rise to a kind a iconic emblem -- for poker and/or for American schlock -- but for showing that poker had spread beyond steamboats, saloons, and gaming dens and into respectable-looking living rooms and other domestic settings.

That is to say, the paintings help demonstrate that poker was no longer just a game played by outlaws and gunslingers, but by just about everyone, including the lawyers and judges and other upper-middle class types on whom Coolidge based his dogs. (For more on Coolidge's paintings, see this “poker & pop culture” column I wrote for PokerNews a while back.)

Coolidge's series has spawned numerous pop culture references, not to mention endless imitations and spoofs. One interesting example of an imitation-slash-homage is Andy Thomas’ 2007 series “Big Dawgs Playing Poker” in which he depicts past American presidents sitting around poker tables.

Thomas segregates his subjects into two groups, the Republicans (in “Grand Ol Gang”) and the Democrats (in “True Blues”). (Click on each to enlarge.)

If you’re curious, you can learn more about Thomas and his paintings at his website. Or check out this piece Jen Newell wrote for PokerWorks in which she gives further background on both Thomas and the series.

Thomas’ paintings are interesting for a few reasons, including the way they implicitly support that argument I find myself making over and over in my class regarding poker’s relevance to American culture.

Also, just like it’s humorous to see the dogs acting like humans, it’s sorta funny as well to see the presidents here imitating Coolidge’s dogs.